The Dance of Death - CD preorder
£12.00
Preorders arrive by 5.6.26. Limited edition digifile CD includes signed postcard. Digital download will be sent on release day.
The Dance of Death - Vinyl preorder - black
£25.00
Preorders arrive by 5.6.26. Please add a note to your order if you would like a signed LP. Digital download will be sent on release day.
The Dance of Death - Vinyl preorder - translucent yellow
£25.00
Preorders arrive by 5.6.26. Please add a note to your order if you would like a signed LP. Digital download will be sent on release day.
Pressure and Persuasion - CD
Pressure and Persuasion is the feminist electrofolk telling of four women's stories Barbara Allen Lovely Joan Fair Mabel of Wallington Hall Elsie Marley Produced and Engineered by Frankie Archer and Jim Moray Mixed by Jim Read more
Pressure and Persuasion is the feminist electrofolk telling of four women's stories
- Barbara Allen
- Lovely Joan
- Fair Mabel of Wallington Hall
- Elsie Marley
Produced and Engineered by Frankie Archer and Jim Moray
Mixed by Jim Moray
Mastered by Piper Payne assisted by Colby Gustafson
Artwork by Rob Irish
I am sorry I can't ship to the USA at the moment
£10.00
Never So Red - CD
Never So Red is Frankie Archer's bold and innovative debut EP . 1 - Oxford City / 2 - Lucy Wan / 3 - Alone Maids Do Stray* / 4 - Peacock Followed the Hen / 5 - O The Bonny Fisherlad . Recorded and produced by Frankie Read more
Never So Red is Frankie Archer's bold and innovative debut EP
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1 - Oxford City / 2 - Lucy Wan / 3 - Alone Maids Do Stray* / 4 - Peacock Followed the Hen / 5 - O The Bonny Fisherlad
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Recorded and produced by Frankie Archer and Jim Moray // Mixed by Jim Moray // Mastered by Piper Payne // Artwork by Frankie Archer // Supported by Help Musicians
postage (UK) included in price
*cw - track 3, Alone Maids Do Stray talks about rape
I am sorry I can't ship to the USA at the moment
£10.00
Singles
The Dance of Death
Frankie Archer
Death and The Maiden
Frankie Archer
The Unquiet Grave
Frankie Archer
The Demon Lover
Frankie Archer
Elsie Marley
Frankie Archer
Elsie Marley is a North East icon. She was a well loved landlady who had all the gossip, all the booze and knew how to have a good time. She’s someone I look up to because she knows her worth and isn’t gonna fall into Read more
Elsie Marley is a North East icon. She was a well loved landlady who had all the gossip, all the booze and knew how to have a good time. She’s someone I look up to because she knows her worth and isn’t gonna fall into that neverending grind of work: ‘Elsie Marley’s grown so fine / she won’t get up to feed the swine / lies in bed til 8 or 9’.
Produced and Engineered by Frankie Archer and Jim Moray // Mixed by Jim Moray // Mastered by Piper Payne assisted by Colby Gustafson // Artwork by Rob Irish
Barbara Allen
Frankie Archer
Barbara Allen is one of the most re-told songs in the English language, and it’s about a mean, cruel-hearted woman (irony there). It’s 350+ years old but is dripping with the same expectation that’s laid onto women today. Read more
Barbara Allen is one of the most re-told songs in the English language, and it’s about a mean, cruel-hearted woman (irony there). It’s 350+ years old but is dripping with the same expectation that’s laid onto women today.
Produced and Engineered by Frankie Archer and Jim Moray // Mixed by Jim Moray // Mastered by Piper Payne assisted by Colby Gustafson // Artwork by Rob Irish
Lovely Joan
Frankie Archer
When I sing “Lovely Joan” I think about all the women and girls today that have been in a situation where they feel uncomfortable at best and are trying to figure out how to safely get out. Men and boys are expected to Read more
When I sing “Lovely Joan” I think about all the women and girls today that have been in a situation where they feel uncomfortable at best and are trying to figure out how to safely get out. Men and boys are expected to 'make the first move' and this leads to pressuring and persuading. Women and girls are taught not to kick up a fuss, to oblige and not to offend. The parallels between this 100+ year old song and life today make it clear how deeply rooted these problematic gender expectations are.